Discussion of 6.08 "Tabula Rasa" - Aired 11/13/01 (UPN-US)

Spike, your kiss with Buffy wasn't all GWTW...🙄

Shark faced demons 😱

Buffy, why do you continue saving Spike's life ??? 😵

Anya, I don't think she was that peaceful in heaven 🙁

I'm with Tara.

Willow 😡

I really hate Willow right now...

Tara has a point, Willow is too reliant on magic.

Willow, you are addicted to magic...

Giles, don't leave 🙁

Willow 😡

Spike 😱

Willow, your spell worked too well...

Willow is better with her memory erased...

The scoobies are entertaining without their memories 😀

Joan the vampire slayer 😀

Xander, you are not going to die...

Giles is cute without his memories 😳

Spike, you are not Angel 😛

Anya just keeps on making bunnies 😀

Giles is cute too 😳

How is Giles not in a coma yet ??? 😵

Rupy ??? 😵

Spike the vampire slayer 😀

Goodbye Giles 🙁

Next time: We enter the Buffy's boinking Spike era of season 6...🙄
 
A lot of people love Tabula Rasa ......not me....well maybe the song!
 
This episode is pretty much the BtVS version of Spin the Bottle, except Buffy did it first. Joss Whedon may have accomplished something more unique with Spin the Bottle but I believe Tabula Rasa is the most successful episode.

While Spin the Bottle aimed too high and failed: the humor was a tad forced at times, the episode was depressing and off somehow, the drama fell flat; Tabula Rasa is consistently funny and therefor highly entertaining.

As it happened with Spin the Bottle, I’m not entirely sure this episode accomplished anything new in terms of the characters and their relationships, but the episode is satisfying in itself, does provide some drama and is the breaking point of Willow and Tara’s relationship.

I’ll be honest and say that I take this episode with a grain of salt. It’s highly entertaining but I don’t really buy into the idea that Buffy and Dawn would immediately think they are sisters, nor would Willow and Xander assume to be dating, Anya and Giles assume to be engaged and Spike assume to be Giles’ son. Sure, some of those were fair deductions but all of those? Nah.

And it really goes to show how much Spike fancies himself a hero, because he assumed that he was a good vampire (in a scene that mocks Angel) and Buffy was turned off by the idea (establishing that she no longer wants something like what she had with Angel, but rather Spike). It’s an obvious way for the writers to comment on how the characters currently are even if it doesn’t make much sense for the amnesiac characters…

I did love Giles and Anya’s kiss and all of the scenes involving those two; the iconic door opened-door shut scene. “Randy Giles”, etc.

As someone who doesn’t pay much attention to Tillow, I can’t say I have much of an opinion, but I liked how the sour conclusion to the episode still managed to blend in with the lighter tone of the overall episode, it wasn’t an abrupt ending.

Overall, 8/10.
 
Since Spike is only restrained by his chip (I believe Buffy described it as a muzzle, like keeping a serial killer in prison), then technically he should've given the others a good scare as he got reacquainted with his chip. Ironically, Giles came off as meaner than Spike, even if he tried to get along with Spike on the belief Spike was his son (and Spike returned the favor though I believe Spike acting on instinct would've tried to snap his neck).

Come to think of it...as best as I recall (it's been awhile since I saw either episode), Angel actually got meaner in Spin the Bottle than Spike in TR....though to be fair, Angel did feel the others were out to get him first, and he was back in his wastrel teen mindset.
 
Love this episode, atlthough for me it's one of the saddest. It's about a group of people who all want what they can't have.

I used to hate that the loan shark was a shark, it used to make me cringe, but now I can smile at the chutzpah of it (a word the shark uses to describe Spike's over-confidence) Straight away we're into Buffy and Spike wanting what they cannot have, Spike wants to discuss their 'relationship' and Buffy wishes she could just stop saving Spikes life 🙂

Willow is wallowing in self-pity and offers to do a spell to make things better. It always seemed odd to me that this is were Tara chose to tell Willow she knows about the memory spell. Is this the day ater OMWF, or later in the same week? Why didn't Tara talk to Willow straight away about it especially because it upset her so much?

Their conversation is phrased very much like I'd imagine Spike and Buffy's would have been in Seeing Red if they'd discussed it and Spike hadn't already realised the enormity of what he'd done, unlike Willow who seems to have very little concept of how she's hurt Tara.
'How could you violate me?'
'Violate you? I didn't mean anything like that. I just wanted us not to fight anymore. I love you'

Of course Willow promises to go a week without magic. Just liked Dawn's promise in Baragining, to do better and be better, it really doesn't amount to much. There is a massive disjoint between what people are saying and what they are doing. At the start of this episode Buffy declaims 'I will never kiss you Spike, never touch you, ever ever again' . . . 🙂

Giles is leaving. His argument is completely logical, as Buffy has already proven she cannot be strong and make decisions without relying on him. He needs her to trust herself now more than ever and she won't with him there. I don't think it's the right decison, but I understand why Giles made it.

Willow's spell kicks in and these characters are left with no memory and through natural instinct and observation have to discover who they really are. But of course instead they only find out who they wish they were.

Buffy and Dawn want to be sisters, the find each other pretty quickly. Buffy becomes the natural leader and everyone seems happy to follow. Once again when Buffy fights herself free of a vampire, she doesn't stake him, but rather rushes to save Spike who is also being attacked. This is a reflection of what she wishes she could change in real-life, but we see that it's something she just cannot help doing even when she isn't really Buffy.

Willow and Tara are drawn to each other, there is affection and attraction there instinctively, they have to be together even if they don't know who they or the other is. Which of course makes their whole real world problems seems so much harsher. If Willow could just be Willow and not so reliant on magic, they'd make it 🙁

Xander without memory is still Xander. He gets scared and aggressive, he lacks confidence with girls, believing Willow must be his brother's girl because she wouldn't be with him. But even though he's terrified, he still stands and fights and protects the others, which makes him incredibly brave.

My favourite pairing that never happend, Giles and Anya are great together. They are perhaps only together through circumstance, but it works. I like that Giles scoffs at magic and the supernatural, being naturally stuffy and British 🙂

Spike without a memory builds a whole world of 'normal' for himself. He doesn't 'feel' the demon inside him at all, or if he does, he doesn't know what it is. He sees Giles as his father, and he wishes he'd had more affection from him. He works well with 'Joan' and is happy to follow her and when she tells him he's a vampire, he builds noble story of his life. But it's not just his life, he builds his story around Joan, they are together in his made-up memory and he doesn't want to bite her. He believes himself to have a soul and be on a mission of redemption. 🙁

Then the spell breaks and everyone is faced with the reality of their existance, and it's brutal. Tara and Giles are leaving, one to save themselves the other to save the child they love. Willow sat on that damn bathroom floor just breaks my heart. When Tara reaches out to Dawn and Dawn turns away from her, it just feels so harsh. Everyone is breaking apart. Except Buffy and Spike. She turns away from him and he walks away from her. But they need each other and once again the episode ends on a kiss.

Fantastic episode. The sad is so sad that I have trouble seeing the funny, but I love the heartbreak. It's as though their self-denial and lack of self-knowledge has been made real during the memory loss, and I like how they try to fit themselves back together again. Then when the spell breaks and reality floods in and they can no longer deny what's happening to them, it's just brilliant and emotional. One of the best episodes of the whole show.
 
HAHAHA THIS EPISODE IS GREAT.

At the beginning, though, it was a little annoying when Willow did the spell to make Buffy and Tara forget grim memories even after Tara made her promise that she wouldn't perform magic for a week. :/ But the effects of the spell itself, having gone wrong, were funny. Especially Spike and Giles's bickering and their awkward hug.
Spike: Oh, listen to Mary Poppins. He's got his crust all stiff and upper with that nancy boy accent. You Englishmen are always so... bloody hell. [Counting on his fingers] Sodding, blimey, shagging, knickers, bollocks. Oh, God. I'm English.
It was also super funny with Anya and Giles, and then "Joan" HAHA. And when they were all escaping from the vampires. And when Spike offered them wooden sticks as legitimate spikes. xD Oh, and "Randy Giles" HAHA. There were too many funny moments. I died laughing.

On the other hand, the ending was super duper duper duper SAD omg. And the song totally contributed to the gloomy mood. Willow and Tara. :'( But I agree Willow was going too far with the magic; hopefully they'll work something out. But Spike and Buffy at the end. <3

I searched up what tabula rasa meant, and apparently, John Locke used the term in one of his essays, saying that it meant a blank tablet or a fresh start sort of thing. Thought that was interesting. And fitting, since y'know, everyone lost their memories due to Willow's spell.
 
I searched up what tabula rasa meant, and apparently, John Locke used the term in one of his essays, saying that it meant a blank tablet or a fresh start sort of thing. Thought that was interesting. And fitting, since y'know, everyone lost their memories due to Willow's spell.

And without all the baggage of history and self-awareness, Buffy and Spike were friends and Willow and Tara would still have been lovers 🙂
 
I love how effortlessly Spike fits in as Randy. This episode can actually make a good case for even without a soul, Spike can be a white hat. He pretty much thinks he’s human and has no urge to hurt anyone.

It's asking the question, if you don't know what you are can you be anything? It gives you both answers. Willow and Tara are still gay, so that's nature at work; you are gay even if you don't know who you are. Spike and Buffy are all about the 'nurture', they can be 'friends' because the world hasn't told them who they are, and that they must be enemies.
 
Spike and Buffy are all about the 'nurture', they can be 'friends' because the world hasn't told them who they are, and that they must be enemies.

The idea that soulless vampires aren’t actually bad by nature and thus Buffy is a mass murderer is so problematic though. I just ignore it to enjoy the episode, honestly.
 
Silly episode, and I don't buy that Spike wouldn't have to rediscover his chip really fast. This is based on Spike as we first saw him presented, not just vampire lore.

Still, seeing the "loan shark" with such an accent got me to thinking this was something more out of Star Wars (home of the ridiculous stereotypes in somewhat alien packages) than Buffy so I wasn't expecting much (and maybe that's why I liked it more than most of the season).
 
The idea that soulless vampires aren’t actually bad by nature and thus Buffy is a mass murderer is so problematic though. I just ignore it to enjoy the episode, honestly.

I understand what you are saying, and I think the writers are leading us to think about these things and question what we and Buffy believe (as taught to us by The Watchers Council) But I don't really see the problem in-show because most vampires don't lose their memories so are violent killers and need to be dusted. They could have tasked a coven to look into it, but my head canon is saying it isn't possible to Tabula Rasa every vampire 🙂
 
The idea that soulless vampires aren’t actually bad by nature and thus Buffy is a mass murderer is so problematic though/The writers are leading us to think about these things and question what we and Buffy believe

I am wondering now if on some level this foreshadowing echo was not on purpose, because previously Buffy had discovered she had not anecdotally as a warrior in common but something physiologically in common with darkness, leaving her reeling with doubts and questions just before stumbling in S6. Spike protesting that he can be "good" triggered her on some level of her"self hate" because his claim calls into question her entire world view. Her admonition that he is evil and can never change is as much directed at him as herself (demonstrated by her echo of Faith's projection in pummeling Spike) I am good, they are evil, I am nothing like them.
 
@GraceK, "Love how effortlessly Spike fits in as Randy. This episode can actually make a good case for even without a soul, Spike can be a white hat. He pretty much thinks he’s human and has no urge to hurt anyone.@EarthLogic, That is actually part of the problem I have with this episode."

Some have speculated Angel being souled when he sired Sam explains his ability to be trapped between worlds, but if we had more time to explore that could also a perfect description of a vampires, its consistent in the shows mythology that vampires take their personality after their human self, more free to be themselves without social constraints and morality, if family was most important to their humans selves they will seek them out first thing, if not they will be a second thought, so another explanation given credibility by Spike's, Harmony's Sam's and Drusila's, Penn's surplus of humanity is that vampires beyond their embodied metaphorical role of 'pure evil' frozen in time impediments on the way to adulthood, are like in the style of Anne Rice more tragic figures than their boastful demonic braggadocio "I've never felt better" lets on.
 
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The idea that soulless vampires aren’t actually bad by nature and thus Buffy is a mass murderer is so problematic though
I agree but is it actually suggesting ALL soulless vampires aren't bad by nature or just Spike? If it's just Spike then you don't have the problem of a mass murdering Slayer (but you do have the problem of what makes Spike different - is it just the chip?). If it's suggesting all vampires have the potential to be like Spike and it is a criticism of Buffy's strategy, is it offering any solutions to the vampire question/problem (True Blood anyone)? I'll be honest, if I isolate the 'verse and suspend disbelief enough to accept that vampires are real then her "mass murdering" isn't a problem. However, if I read vampires as being a metaphor for otherness than her solution is highly problematic. I don't think the text offers practical solutions but I do think it's asking us to consider the forms of knowledge that naturalise otherness. IMO, it's the core theme of S7. Personally, I believe BtVS 11 picks up the theme of otherness (I also believe Christmas is making me brain-dead 🙁) and brings us closer to the text's political vision.

my head canon is saying
I hate this phrase. 😡 It might, occasionally, be applicable but in most cases it's easily replaced by the words "critical thinking". 🙂
 
I had a very different response to Spike's lack of nastiness in this episode (probably because I'm a pessimistic lady).
It becomes clear that although everyones memories are erased, they still have a residue of the emotions they feel for each other (Buffy and Dawn feeling like sisters, Giles's feeling of disappointment with Spike, Anya's residing love of money and fear of rabbits).

Spike is a walking experiment in Operant Conditioning (Walsh's speciality). His chip functions as a punishment or negative re-enforcement against violent behaviour while his relationship with Buffy and rest of the Scoobies is positive reinforcement rewarding heroic/human behaviour (Of course this wouldn't work exactly the same way with all vampires because Spike is especially preoccupied with love and social acceptance).
This episode seems to answer the question: does the subject of conditioning simply change their behaviour in order to gain a reward and avoid punishment or does it have a more fundamental (and lasting) impact?
It seems that Spike no longer needs to consciously know that he will be punished for hurting people in order for him not to act on his violent impulses while his desire for a sense of belonging encourages him to work with the group.
Of course, they where only memoryless for an hour or two, so we don't know how long friendly Spike would have lasted.

(P.S. I think there are few people with less knowledgable in this topic than I have, so don't take what I say as doctrine)
 
@TriBel My post above has some ideas on that, isn't it fascinating that you never have people saying they identified with the vampires as a symbol of being different? sometimes on the X Files it seemed the "badness" of the supernatural was a contrivance and Mulder and Scully were avatars of the "normal" hunting the different, interesting Buffy never felt that way. @gnarl, yes, this is the opposite view point to my post above where people (Buffy) maintain Spike's "goodness" is a result of conditioning and that his spark of humanity is not really there at all, its all circumstance and not his spark of humanity that made him seek his soul.
 
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they identified with the vampires as a symbol of being different?
. I have to admit, I identify far more with Spike's "otherness" and his fluidity than I do with Buffy's centrality (beyond the fact we're both white, female and straight, we have little in common). I suppose it's to do with the problem of literal demons on one hand and metaphorical demonization/marginalization on the other. As literal demons, it's difficult (though not impossible) to criticise Buffy but move beyond this and you're confronted with all sorts of relativism that's not easy to reconcile at the level of story.

I suppose it goes back to the mix of conversations in Pangs: Buffy's: "And the thing is, I like my evil like I like my men-- evil. You know, "straight up, black hat, "Tied to the train tracks, soon my electro-ray will destroy metropolis" bad. Not all mixed up with guilt and the destruction of an indigenous culture". Spike's" You won. All right? You came in and you killed them and you took their land. That's what conquering nations do. It's what Caesar did, and he's not going around saying, "I came, I conquered, I felt really bad about it." The history of the world isn't people making friends. You had better weapons, and you massacred them. End of story... You exterminated his race. What could you possibly say that would make him feel better? It's kill or be killed here. Take your bloody pick". And I've just noticed this one: Spike : You know what happens to vampires who don't get to feed? Buffy : I always wondered that. Giles, plates. Spike : Living skeletons, mate. Like famine pictures from those dusty countries, only not half as funny". I don't recall another juxtaposition of Vampire/Other that's as overt as this.

LOL! I like how this "You had better weapons, and you massacred them. End of story" foreshadows Chosen. I want to make this do the same: What could you possibly say that would make him feel better? It's kill or be killed here. Take your bloody pick"

It would be a useful exercise to bring together ideas addressed in Tabula Rasa and Pangs with the arguments the show puts forth regarding the neutrality of discourses such as history and science.

trapped between worlds
. I think this is relevant on so many different fronts.
 
But I don't really see the problem in-show because most vampires don't lose their memories so are violent killers and need to be dusted.
But memories alone aren't what makes a vampire violent. The degree of viciousness does seem to be dependent on the experiences and personalities of their original human selves, but the bloodlust and impulse to kill comes from the animating demon. So an amnesiac Spike should have been feeling a resurgence of that. Compare it with 'Spin the Bottle' where Angel doesn't at first know he's a vampire but still feels 'cold inside' and is drawn to Cordy's neck. And presumably Angel has had a more regular intake of pig's blood than Spike did since the latter was always trying to make some cash to feed himself. The circumstances differ in that Angel still has his soul so has no initial desire to hurt anyone, untl they turn on him and his resentments as 17 year old Liam cause him to give in to some of the benefits of his vampirism, before getting fed up of it eventually. But still, even with a soul his vampiric instincts do emerge. I reckon @gnarl may have a point about the chip conditoning by now subconsciously impacting Spike's behaviour. It seems a more plausible explanation.

I am wondering now if on some level this foreshadowing echo was not on purpose, because previously Buffy had discovered she had not anecdotally as a warrior in common but something physiologically in common with darkness, leaving her reeling with doubts and questions just before stumbling in S6. Spike protesting that he can be "good" triggered her on some level of her"self hate" because his claim calls into question her entire world view. Her admonition that he is evil and can never change is as much directed at him as herself (demonstrated by her echo of Faith's projection in pummeling Spike) I am good, they are evil, I am nothing like them.
Yes this seems to be what the show is moving towards - and I think it's the prevailing view in fandom/academia of the shifts in morality of the later seasons. It's still problematic for me though, because while it might work simply on a metaphorical/thematic level within the context of the season itself, I don't think it's consistent with the show's overall mythology from S1. The only way I could comfortably go with it is if I think on S5-7 as essentially a reboot of the show's vampire lore. However I really I don't like to do that because it creates a huge gulf between the earlier and later seasons.
 
Memory isn't stored in one place. The Scoobies seem to remember some things, though they are fuzzy on the particulars. For example, Will and Tara are instantly drawn to each other. Spike hasn't fed on humans in almost two years and the punishment of the chip has become ingrained in his spine.
And it really goes to show how much Spike fancies himself a hero, because he assumed that he was a good vampire (in a scene that mocks Angel) and Buffy was turned off by the idea (establishing that she no longer wants something like what she had with Angel, but rather Spike). It’s an obvious way for the writers to comment on how the characters currently are even if it doesn’t make much sense for the amnesiac characters…
I think Spike always has had a tendency to see himself as a hero. I think even when he was with Dru, he felt he was better and less depraved than the rest.
 
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